Category Archives: Verbena

A bristling citrus: PHILTRE D’AMOUR by GUERLAIN (2000)

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With so many perfume houses releasing limited editions that are released, fanfared and then disappeared without trace, it becomes easy to equate their brevity on the market with similar levels of imagination. Neverthless, occasionally, the spontaneity and lack of expectation placed on limited editions can produce bursts of creativity that lead to more singular, less market-tested and common-denominator fragrances; scents that pop up unexpectedly like crocus-bulbs in spring and enchant you with  their fresh-breathed joie de vivre.

For a while at the beginning of the 2000’s, Guerlain would release limited perfumes that were not flankers to their main-line-up perfumes, but separate work, released in a prolific spirit of productivity that yielded such well-regarded treasures as Guet Apens and Gentiana.

In a spirit of mercy to these more inspired saplings that were culled before their prime, some of them were given a reprieve, a chance to star again, however briefly, on the billboard of ‘Les Parisiennes’, a kind of Guerlain Golden Hall of Fame for discontinued classics and limited releases that stubbornly refused to die a death, and Philtre D’Amour, a wonderful, moody citrus, is one of them.

I found my bottle at the flea market and bought it unsniffed, expecting, as the name would suggest, something sultry and floral. Spraying the scent was thus a total shock. Philtre D’Amour is a sour, concentrated, and very natural accord of verbena, myrtle and lemon-leaves layered delicately over a sharp, fantastically dark patchouli: a mysterious and lovely, almost powdery citrus chypre that leaves an intriguing and surprisingly nuanced trail in its wake.

She is a delicate thing, this Philtre; treat her carefully, don’t rub her up the wrong way or step on her emotions, and she will yield; show you through the ivy-covered doors of her secret garden to the other side: her neroli’d, fresh air garden petals of jasmine diced with petitgrain: gentle walks around the topiaries, the April skies opening up and bestowing newness, vitality and Spring as the lemons shine youthfully and you sigh gratefully that someone out there still knows how to make a modern, yet classically structured, perfume.

Vistas and groves open up when I smell Philtre D’Amour: it is slight, it is curious, but it is something I would wear all the time if I had more of it:  the delicate, little 30ml cylinder you see in the picture is kept for special, precious use.

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Filed under Chypre, Citrus, Lemon, Patchouli, Verbena

THE GRASS IS NOT ALWAYS GREENER : Trophée by Lancome (1982), Central Park by Bond Nº 9 (2004), & Herba Fresca by Guerlain (1999)

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Central Park occupies a very important place in the mental scape of New Yorkers (and cinemagoers); it is the heart and lungs of the city. Bond No 9, a brand I have not had much success with, apparently wished to pay homage to this island of chlorophyll with a fragrance inviting us to ‘commemorate New York’s grand oasis of greenery; a lush sensory landscape that simulates a walk in the park’; a park, as we have seen in countless movies and soaps celebrating the metropolis, with joggers in visors and white shorts running every which way but loose; tennis courts, basketball, dogs a-larking, you name it – this is a place for the lovers of the outdoors.

 

 

Lancôme’s Trophée, another celebrator of green (discontinued but easily found online) has a similar, pastime on the lawns  theme; with a golfer on the bottle, and a golf ball as a stopper, its sporty, green-grass message couldn’t be more explicit.

 

 

 

 

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Trophée, while not desperately original (a slightly more masculine version of the seminal lemon-leaf eau fraîche, Ô de Lancôme) is a great fragrance you just can’t go wrong with; citrussy, natural, minty notes of lawns, verbena, and a gentle, chypre finish; bright, clean, refreshing. It is liberating: you can imagine a man in newly laundered polo shirt, up bright and early, splashing it on before a day out with his friends on the greens. The citrus notes don’t last so long, but the base is lovely too; a soothing note reminiscent of cold cream that makes me think of the aforementioned tired golfer in bed, later, with his wife; clean white sheets, late afternoon, the hot sun outside kept at bay with breezing white curtains.

 

 

Bond No 9’s scent begins with a vivid technicolour panorama of Central Park; vibrant green, grassy notes of verbena and basil, and a neroli note similar to Thierry Mugler’s cologne. Impressive. A  momentary, dazzling vista. And worn with Trophée on the other hand you might say it beats it, initially, in the lushness stakes. But Lancôme’s little known trophy has great subtlety. Bond No 9’s creation gets gradually worse, and worse, then even worse, as time passes.

 

 

Bond No9’s website informs us that

 

the park has its very own lawn bowling area. Here the terribly civilised pastimes of lawn bowling and croquet can be indulged without fear of colonial intervention.

 

 

Translated into perfume terms, that would mean, then, eschewing the classic (European) template for perfumery which dictates that a perfume, like a person, should fade and die gracefully, yet be anchored with earthy base notes to let it stay as long as possible; not botoxed and plumped to eternity.  The final accord in Central Park of ‘water jasmine’, ‘muguet’ and ‘cashmere musk’ sticks to the skin, irremovably, like a tattoo and is vile. If it is Central Park, then it is some obscure, forgotten corner; an oil-covered pigeon, stiff and festering, near some frayed, yellowing astroturf.

 

 

 

 

 

 

 

 

 

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GUERLAIN’S HERBA FRESCA : a ball of just discarded spearmint chewing gum; still fresh and ever so minty, left lying, alone, among the long, tall grass.

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Filed under Chypre, Grass, Green, Mint, Perfume Reviews, Verbena