Monthly Archives: February 2019

A DISASTROUS END TO A DAY OF VINTAGE PERFUME SHOPPING

 

 

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On Monday, I hooked up with my perfume-adoring friend Catherine for a day of scent hunting in Tokyo. Having moved up to Yokohama from Osaka, where she lived with her husband for a long while, she was yet to visit any of the troves I occasionally frequent to plunder for old vintages and any other bargains of that nature, and was eager to see what we might find.

 

 

 

Me too. The excitement of finding a beloved classic in some cabinet never abates, even if such moments are getting rarer these days as the sources gradually dry up. Still, although I was worried about disappointing her in case she had grandiose images in her mind of veritable Aladdin’s caves overflowing with abandoned, boxed, pristine Guerlains (“Will there be L’Heure Bleue?” – no there will not, of that I am sure; only Mitsouko in all its possible vintage forms, if ya pleasey – but neither of us is particularly bothered by Mitsouko); I was a little apprehensive that the day was going to turn out a big bore and that there would be nothing to buy.

 

 

 

First stop was the arcade in Jiyugaoka, where Catherine immediately found a pristine, perfect Caron Narcisse Noir extrait for 500 yen. She had never smelled it before and proffered it up for my inspection to check if this is how it should be (me being The Black Narcissus and all), and it was – a sickening bargain at five dollars. Beautifully glinting, fresh, and as unique as ever, she snatched it up without a second thought. Now let’s get the slightly gruff  shop owner to open up the very cabinets. Where all of the main treasure is to be had….

 

 

 

 

Not having worked out how we would, er, divide any of the loot were we to come across any, only a few minutes had passed before the linguistically-envy-inducing polyglot interpreter’s hand alighted wantonly on a Le Galion Violette parfum (exquisite! sheer powdery, swooning violets cold as the earth), also for 500 yen. I also wanted it but no I want it insisted Catherine in a tone I couldn’t argue with – we were like siblings arguing over cake, getting ready to shove each other out of the way in the event of coming across a Vol De Nuit – but no, only Mitsouko-ko-ko-ko, always that bloody perfume……. but I had found a  vintage Obsession parfum (heaven! can’t wait to apply it to a cashmere scarf) and a Rochas Femme parfum, a scent I like to wear at night sometimes for its deep tapestries of fur and fruit; C had spotted an unopened Givenchy Interdit, a scent I had never really liked for some reason, not entirely, until we later retired to a coffee shop and she prized open the wax top of the bottle and the most gorgeous ylang, rose, jasmine and iris top notes wafted out and I was in heaven, finally appreciating this perfume for the first time in its beautiful, pristine edition. Audrey and Hubert would have been proud.

 

 

 

 

 

The scent of aldehydes that had been released from decades of imprisonment in their glass bottle and floated their way across the mille crepe and cafe au lait of the table was joined, and contrasted, in an anti-intuitively stunning blend of that Interdit and a rare bottle of Donna Karan Black Cashmere that Catherine had bought in a shop in Asagaya,  the frankincense and dark woods and musks of which Catherine was sniffing at her arm like a madwoman in love, and whose sillage, from a mere spritz, filled up all the air around her brilliantly. What a great scent ! (and why, on earth, are such perfumes discontinued? We all know the usual tedious answers, but still – women in woods, yes please; so much more intriguing that the vulgar, IQ lowering pink sludge that is the current scent trail of many current ladies’ favourites). She smelled great and was enjoying the proceedings : yes, we were pleased with our bargains – this was about 35 dollars, but considering how much this scent can go for on eBay now, it was definitely a steal. Plus, the way C was swooning over the perfume on her hand – such fun to be out with a true perfumaniac like her- the pleasure is real – you know that this is going to be a perfume that she wafts about her as she interprets for the upper echelons of society, politicians,  and even the visiting European royalty.

 

 

 

 

 

 

 

So. Where next. I had been saving the best til last. We would do bargain recycle stores in Asagaya, and then there would be the crowning glory, the legend that is MARISOL. 

 

 

 

 

 

 

 

 

 

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It is strange, but I haven’t written about this place before until now for some reason, even if I have mentioned it in the introduction of my book as an incredible old vintage perfume emporium that stocks practically anything you might want as a teasing detail of how much fun it can be in Tokyo; floors and floors of precious Carons, Guerlains, perfumes from the eighties and nineties; wrapped Jacomos, a repository of your teenage dreams. Still there. Tantalizing stacks of boxes reaching up the stairs to forbidden floors; the most amazing old perfume shop in the metropolis.

 

 

 

 

 

 

 

 

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I had also been a bit disingenuous though. The big (and it is a big, a really big) problem with this shop is that the owner, pictured, is an extraordinarily ‘difficult’ woman, to say the least. Famously so. I was of course aware of this, but as I have bought a couple of things from the shop before – Jacomo Parfum Rare Extrait and Lancome Trophee, I know that once you butter the old bag up a bit, or if she happens to be in the right mood, she becomes more personable and guides you around the contents of her treasure house and introduces you to some of her fabulous wares. Also, seeing that Catherine speaks impeccable Japanese, of a level I could never attain in a thousand years, with all the nuances of register, politeness, grammatical accuracy – I come across like a grunting chimpanzee in comparison – which Madame Marisol scorns openly, pretending not to understand a word I am saying – I thought that as I was gingerly entering the holy premises with not only a bona vide perfume connoisseur but also someone with the language skills to negotiate the croc-infested waters, we would succeed in gaining access to some of the hidden preciousnesses – I dream of a Caron Poivre parfum with the studded glass tears; or even just to look at and gaze with my retinas at some magical Guerlain extracts glowing silently from their boxes begging secretly to be opened and worn on the skin, but………………………..…sadly this was not to be. 

 

 

 

 

 

 

 

Having been in Marisol before, which is situated in completely the wrong area of Tokyo – bang in the middle of the youth district, where twenty year old couples smooch on down from the 109 department stores geared to their age group, and pancake houses and cinemas and jean shops and cheap izakaya to get drunk in – and, passing the inviting windows full of cute looking perfumes, once entering, quickly get sent packing, I kind of know what to expect.  I have seen this happen before: an innocuous and sweet young couple came in and politely asked the proprietress if she had any fragrances that smelled like tea, only to be told nai’a very abrupt way of saying ‘there aren’t any’, that NO regular person in any form of customer service would dream of uttering in a million years, this being the apex of refined, artificial politeness in the world, comparable to none, which is what makes it all so surprising and even upsetting: I remember the look on their faces (but what did we say wrong? ).

 

 

 

 

 

 

 

The answer is nothing. The woman is as bitter and twisted as a hag in a fairy tale: the witch in the forest you feared as a child, just that this is a perfume shop instead, and Catherine wandered in as innocent as Red Riding Hood knowing none of this. Should I have warned her? As I said, I honestly thought that given her Japanese and fragrance credentials, that we would be fine. Also, I didn’t want to spoil the surprise : I thought that we would enter, gaze in awe at all the potential perfumes we could buy, and then charm the fuming, chuntering  psycho-hag into ‘letting ‘ us buy one of them.

 

 

 

 

 

Watching two young people go in as we climbed the street towards the shop, I waited for the expected thirty seconds before they were sent out (!!I know – what kind of shop IS this?!!), and out they came, right on cue, looking perplexed – what just happened?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We entered.

 

 

 

 

 

 

 

 

 

 

 

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And the air was immediately hostile (in fact, it felt as if there was no air). Unwelcoming. Compressed. Sat on her chair, the owner of Marisol sat leviathan-like, unmoving, emitting  silent, noxious fumes of hatred – like an old cobra awaiting death.

 

 

 

 

Despite the plenitude of cabinets of perfumes we were both fascinated by, she clearly didn’t want us in there. You felt an uneasiness in your chest, a strong sense of discomfort, her eyes piercing into yours and yet clouded over at the same time with foregone, spiteful conclusions.

 

 

 

 

 

‘How much is the Leonard Tamango?’ I asked.

 

 

 

 

 

 

 

‘I don’t know’.

 

 

 

 

 

 

(?)

 

 

 

 

Catherine:

 

 

 

 

 

 

‘Do you have L’Heure Bleue?’

 

 

 

 

 

‘I do, but it’s expensive.

 

 

 

 

 

(?!!)

 

 

 

 

 

 

‘How much is it, if you don’t mind my asking’?

 

 

 

 

WE DON’T HAVE IT.

 

 

 

 

NOW SHUT UP AND GET OUT !!!!!!!!

 

 

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hissed the creature vituperously to Catherine’s utter shock and astonishment. Completely taken aback, I could feel her heart beating just standing behind her; the sheer stupefaction of the situation, and I immediately regretted not having given any warning or instruction on how to proceed in ‘Marisol’ beforehand.

 

 

 

 

 

 

‘But what did I do wrong? Have I said something untoward’? said Catherine in very polite, even poignantly soothing tones.  ‘This shop was recommended to me by a friend who said you have some wonderful things to buy, which is why we came here’

 

 

 

 

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‘then you should have asked that person why I am such a bitch beforehand and learned what to do in here ‘  spat back she at Catherine’s gobsmacked face; with really horrible breath, too, which only added to the true vileness and rudeness being displayed in the ‘shop’

 

 

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‘I just wanted to know if you have any L’Heure Bleue!!” protested Catherine.

 

 

 

 

If you really wanted that perfume, you wouldn’t say it like that 

 

 

 

 

spat the witch

 

 

 

 

 

 

–  – – and I wanted to show you this, said I stupidly , taking my book out of my bag, which mentions this vile komodo in the introduction as a place to look for vintage perfumes if you are ever in Tokyo – now I kind of wish it could be redacted-

 

 

 

 

 

TAKE. IT. AWAY.  !!!!   

 

 

 

DON’T SHOW IT TO ME !!!!!

 

 

 

 

shrieked the crone as Catherine was getting more and more upset and trying to reason with her, asking why she was being so hated in her fluid and intelligent Japanese, at which point the woman was momentarily silenced –  perhaps even slightly embarrassed.

 

 

 

 

 

 

 

 

 

 

It was obvious we would have to leave (the drama queen I am, I was partly loving all of this, I have to confess – am I a terrible person? I let it linger on than I should have; but it was as though Catherine was slightly hypnotized ::::)

 

 

 

 

 

 

 

 

It was the language. 

 

 

 

 

 

Which she kept repeating.

 

 

 

‘SHUT UP.

 

 

LEAVE!’

 

 

 

GET OUT!!!

 

 

 

 

SHUT YOUR MOUTH !!!! B

 

 

 

 

 

Urusai‘, which literally means ‘noisy’ in Japanese , is used as a way of saying ‘shut your mouth’ when said in a certain way; only with family members in a moment of anger – never, never never,  to a stranger, and certainly not to someone who has come to your shop, with only the best intentions, to peruse and possibly buy your wares.

 

 

 

‘Kaite !literally means ‘go home’, but in the context of where we were, it would probably be better translated as GET OUT for its rawness, particularly when combined with her dismissive, and very aggressive, waves of the hand towards the exit………….. and though dumbfounded, gobsmacked and horrified by the incredible rudeness we had just experienced – ‘I just want to slap the bitch!‘ exclaimed Catherine as we finally pushed the glass doors open, one final kaite and urusai was enough to convince us to leave (which we should have done, really, from the first moment).

 

 

 

 

 

On the street, Catherine’s heart was beating in rage so badly I truly regretted having taken her there (even though I was doubled up in hysterics on the street – I don’t know, I just couldn’t help finding the whole thing H I L A R I O U S); but then I suppose I kind of knew what might – potentially – happen. Catherine had gone in as innocent as a doe, and been ferociously attacked and reviled by this obviously desperately sad woman who owns the entire premises and thus doesn’t need the money, but opens up each day so that she can insult people and make them feel dreadful: the camp side of me loves this: I often find the drabness of daily life so tedious that any drama, particularly surrounded by perfume bottles I so badly want, is curiously stimulating and at the moment, outside, as we gathered ourselves, I must say that I felt 100% alive. And couldn’t stop laughing.

 

 

 

 

But I couldn’t leave Catherine. She was too upset. I had been planning to part ways there,  and go to a club I know in Ebisu called Enjoy House as I want to book it for our Love Goddess Of The Cannibals party that we want to hold in June; a disco/ art performance event, something tropical and lush and amazing, based on the film Papaya from 1978 by Joe D’Amato, because at that point in the term I am always ready to really let loose and do something mad and amusing, gathering all our friends up and creating something lurid and exciting and memorable –

 

 

 

 

– but it was obvious that Catherine really didn’t want to be left alone. She was simply so  furious, shocked, and outraged by the terrible treatment she had experienced that she said she was about to burst into tears (what can be done about this monstrous woman, do you think? If you ever come to Tokyo, will you give it a go?!)

 

 

 

 

 

 

 

So we took the train back to Yokohama together; processing and laughing, imagining glitterbombing the place and temporarily stunning Marisol (possibly even tying her up) while we scamper up and down those mysterious stairs making off with bags and bags of unbelievable loot (imagine the Nahema parfums I would run off with! I know she has it, because she has told me, as has her poor assistant, who occasionally works with her, but naturally she wouldn’t show it to me, as it is ‘too expensive’………)

 

 

 

 

 

 

 

 

 

 

 

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‘It was like Catherine and Neil’s Adventures In Perfume Heaven and Hell’ , said Catherine. One minute I was so zen and relaxed from the pleasure of buying all those perfumes and from just hanging out, and the next I was being harangued by a wicked witch, just out of the blue, and it shocked me to the core.

 

 

 

 

 

Horrible. I can’t believe it.

 

 

 

 

 

 

 

 

 

I AM NEVER SETTING FOOT IN THERE AGAIN. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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‘PERFUME : IN SEARCH OF YOUR SIGNATURE SCENT’ – RELEASE DATES AND PERFUME SOCIETY READING EVENT

 

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Well, here it is !

 

The only reason I haven’t done this before  now is that I wanted the cover and the physical reality of the book to be a surprise for my parents, who finally got their hands on an advance copy on Wednesday ( ‘look, Roger ! It’s arrived!’ shouted my mum as a book-shaped parcel was carried by the postman down the driveway and they weren’t quite sure how to proceed ::: should there be some kind of special ceremony or ritual for removing it from the envelope and bubblewrap? In the end they just released the book from its package and were, I think, thrilled.)

 

 

 

 

They love it ( how it looks, anyway : I don’t know what they will make of the florid nonsense inside), and spent the exhilarated day clutching and caressing it and carrying it around the house with them everywhere they went

 

 

( as did I ::::  :: the design team have done a great job I think, and I had no idea it would all turn out so sumptuous.  Initially, there were many things to be worked out – inital concepts were too fey and girly; the title was different, so was the essential composition of the book, but from the back and forths  over the spring and summer we eventially settled together on a contemporary Art Deco feel, which reflects the luxuriance of all the perfume reviews quite well,  my love of vintage, and it is all just something I can’t help but feel rather delighted about.)

 

 

 

 

The book is HEAVY: a proper tome. Like a book of spells, or a volume from an old library,  and though not as lengthy as my blog ramblings nor quite as personal, hopefully the new concision and the new taxonomy of the world of perfume I have come up in this guide with will appeal both to perfume people and also the curious neophyte. My goal is to induce passion for the subject – obviously there are just too many perfumes in the world to be definitive : the book is called ‘In Search Of….’ for good reason; I wanted it to be immersive and indulgent and also a little strange…

 

 

 

 

Anyway, the book comes out in the UK on March 21st, published by Hardie Grant, and on April 2nd in the US, distributed by Chronicle, as well as being available to order worldwide on Amazon. I also have an event being organized by The Perfume Society at Rouillier White in south London on March 28th, where I will be doing a reading and a book signing (!); I am really looking forward to gathering family and friends and mingling with perfume maniacs while sniffing the marvelous selections of Michael Donovan ( this really is one of the best perfumeries, so I am delighted the party is being held there).

 

 

Unfortunately, though, space and tickets will be quite limited, so I can’t make this a big thing I can invite everyone to, much as I would like to. I was wondering, though, if any UK people, particularly London people, reading this,  can think of any venues where I might have a more casual sip and sniff type of affair -or even just straightforward event with books and bubbles –  Hardie Grant will ship books there if it becomes an event. I would love a Black Narcissus hook up !

 

 

 

I don’t know. I am just so excited ( if daunted : you never know whether anyone is going to like what you have created), but this time last year, when I was still wallowing in self pity with all the aftermath of my operation and arduous rehabilitation, I had no idea whatsoever what was just round the corner – nor the year of extraordinary pressure that was ahead of me, with a full teaching schedule and book deadlines constantly looming)

 

 

 

– but I DID IT

 

 

 

 

 

 

And I want to C E L E B R A T E

 

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Filed under Antidotes to the banality of modern times, LUXURIANCE, New Beginnings, PERFUME AND PERFORMANCE, Perfume Reviews, Psychodrama, Vintage Bonanza, Writing

ESCAPE FROM THE LIBRARY : BIBLIOTHEQUE by BYREDO (2017)

 

 

 

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via ESCAPE FROM THE LIBRARY : BIBLIOTHEQUE by BYREDO (2017)

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February 16, 2019 · 12:24 am

he also smells amazing in ungaro pour homme 1 deodorant

 

 

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MY FUNNY VALENTINE

 

 

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(D and I about eight years ago in Berlin)

 

 

 

 

– a rushed train  piece

 

 

 

 

The other night, at a Special Valentine’s edition of The Closet Ball in Tokyo – where we are sometime performers at the cabaret show of ‘gender subversive humour and performance’ but were there that night in the audience, the compere (the outrageous Tatianna Lee) asked if anyone was in a long term relationship.

 

’Seven years !’ chimed one person, to enthusiastic whoops from the crowd.

 

 

’Anyone longer than seven years?’ shouted Ms Lee.

 

’Twenty five!’ answered I, as the spotlight landed on my face, and the non-reaction of the audience (‘????? ‘) made me feel as if I had made some kind of faux pas. It did sound EXTRAORDINARILY long in the context of irreverent stage pieces on love and heartbreak, but anyway- this is our 26th Valentine’s Day together, even if, in truth, this is a time of year when we are usually at a low point (we are much better in spring and in summer )- neither of us being able to really take the desolation of the cold – and biorhythms are slowed down,  and some kind of INWARDNESS occurs until the flourishing of spring. Usually in February we are both in semi-auto hibernation mode, and things are not exactly nine and a half weeks : fractious and argumentative Valentine’s Days are more par for the course, which, like Christmas, feel like too much commercialized pressure to feel anything genuinely, plus, D hates goo and sentimentality, and gift-wrapped ribbons and presents and corny messages and romance ( though I did slip, undetected, a giant Ferrero Rocher into his work bag this morning and he was delighted).

 

 

 

 

 

 

Uncharacteristically, we are going to meet up tonight after work for a steak dinner ( a rarity on February 14th, I can tell you ). My kind, gentle, fiercely dignified, pathologically private, yet wildly extroverted and beautiful stage artist with a taste for the absurd, the extreme : the beautiful and the true. I am looking forward to it.

 

 

 

**

 

 

 

 

I was going to write about all the scents that Duncan has worn over the years, and the memories attached to them (‘to all the perfumes I have loved on you before’) – but my train has already reached its destination for my evening classes.

 

 

 

Fuck it. Just a few more minutes…… who cares.

 

 

 

 

There have been many scents over the years that D has worn voluntarily or had foisted upon him, from the overly suave Comme Des Garçons Black Pepper and Penhaligons’ Sartorial, to recent anomalies like Guerlain’s Lui ( vanilla and carnation, on Duncan?!), which he has worn quite a bit recently but has come to find too sweet – I personally love how it smells on him : it feels like a new age ( which perhaps it is….)

 

 

 

 

Flowers don’t suit, really, except lavender (Guerlain Lavande Velours smells delightfully dapper on him): neither do citruses, really, and definitely no ozonics or oceanics, which smell absurd. No gourmands. No ouds or aggressive woods. He DETESTS neroli and orange blossom, and finds incense too self serious.

 

 

 

 

No, what smells best on him ultimately are warm aromatics, a hint of spice : Shiseido’s original Feminite Du Bois parfum smells exquisite on him – really inviting yet mysterious all at once ( he is, ultimately, mysterious, this cherished person; an enigma: a bit like the country we call home, perhaps …. I think that at the end of the day I am drawn to the unknowable, with depths that remain inscrutable); some perfumes accentuate this.

 

 

 

Others bring out more of his tender, receptive-to-everything-around-him side; his love of walking and fresh air but also how good he looks in clothes ( I am a comparative human garbage heap in that regard). A nice fitting winter sweater, with a scent like L’Occitane’s discontinued Eau Giroflee is a beautiful combination, as is Rocco Barocco’s delightfully mellow Vetiver ( only the more nutmeggy vetivers smell right on him)

 

 

 

 

 

 

 

 

 

 

 

 

 

…     but I have to go ( I am already late )

 

 

 

 

To be continued, perhaps…

 

 

 

 

 

 

 

 

 

 

 

What do you love on your beloveds?

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FROM RUSSIA, WITH LOVE: : : WARSZAWA by PURE DISTANCE (2017) ++ KARENINA by ROJA DOVE (2016)

 

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via FROM RUSSIA, WITH LOVE: : : WARSZAWA by PURE DISTANCE (2017) ++ KARENINA by ROJA DOVE (2016)

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February 11, 2019 · 6:12 pm

janet jackson’s immediate performance environment in Tokyo tonight ( no perfume : photographic essay )

 

 

 

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