O The Virtues: ORIGINAL VETIVER by CREED (2004) + SIGNORICCI by NINA RICCI (1976)

 

 

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A bright winter’s morning.  The bathroom of a stately home.

 

On the wash basin,  lies a pristine bar of soap.

 

It is the most perfect soap imaginable; a hard, impenetrable, triple-milled yellow soap; the clean, heart-clearing brightness of bergamot: the finest essences of sun-binding neroli all married grassly to a light, fresh note of cool, purified vetiver root planted down, somewhere beneath the surfaces, in its fragrant, pounded, centre.

 

A vetiver, then, of spanking immaculateness and spruceness; a perfect accoutrement to the face-splashing morning ritual: a scent that very reeks – very nearly,  ALMOST – of trust.

 

Until you smell Signoricci that is, when the artificial, clammed together, and somewhat hysterical brightness of Creed’s Original Vetiver is suddenly exposed……

 

 

 

 

 

 

Signoricci, one of the few key masculines from a classical house that, in its heyday, produced some of the most delicate and exquisite feminine florals ever created, predates Creed’s scent by three long decades and is of a similar soap-cleansed theme; citrus (lemon, verbena and lime), over delicate, cologne-steeped vetiver, but in this long discontinued perfume the effect is incredibly, incredibly refined.

 

 

I first smelled smelled Signoricci at my brand new friend Federico’s apartment in Rome one October afternoon – standing there, alone as it was on his wooden bookshelf in his room – and I remember how immediately blown away I was by its deceptively simple beauty; a beautiful conception of fine-hearted masculinity that is almost impossible to imagine now in today’s world of hard-hitting woods; spices;  and designer-bearded synthetics.

 

 

Beginning with perhaps the most piercing, yet simultaneously gentle and perfect citrus top note I know of, the vetiver, cedar and sandalwood heart of this composition is  revealed gently and gradually;  an accord of almost heartbreaking cleanliness: a perfection and purity of soul.

 

 

 

Its perfection notwithstanding, if there can be any criticism of Signoricci (and must there be, really?) it is just that: this perfume, in all honesty, is possibly too perfect; a saintly, flawlessly scrupled man who seems too good, almost, to be possibly true.

 

 

 

 

Like doubting Thomases,  we stand agape.

 

 

 

 

 

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11 Comments

Filed under Perfume Reviews, Vetiver

KILLED BY PERFUME – a tale of Japan, earthquakes, and my potentially toppling, lethal, perfume cabinets

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Tomorrow will be the second anniversary of The Great Tohoku Earthquake, a day that all Japanese, and all people living in this country, will never forget. It was a catastrophe of such destructive proportions that almost 20,000 people were destroyed and entombed in the devastating carnage that was wrought by the unprecedented tsunami that tore the north of the country apart; footage of which, unlike my family and friends back in England and elsewhere, I could never bring myself to watch because it was too horrific, too close to home.

 

It was a completely surreal and terrifying experience. One day we were going about our daily business, the next we were being told that we couldn’t go out in the rain in case it was radioactive because of the fallout from Fukushima: we found ourselves sealing up windows, stuck inside like some B-movie, shielding ourselves from an invisible threat; the aftershocks continuing for a very long time afterwards, constantly rattling everyone’s nerves; we had no idea what to do, whether to leave the country or stay, assailed on either side by the hysteria of the western media, family and friends; contained, on the other, by school responsibilities and the eerie reassurances of the Japanese authorities. I have never been so confused in my entire life, and was only kept afloat by phone calls to my mother who somehow managed to absorb all the information that was being given and relay it back to me in calm, objective fashion: you don’t have to flee…..yet. Wait it out. See what happens…
There we were, stuck inside the house, not sure what was going to happen, bunkered down, unsure of whether the air was safe to breathe, or whether a nuclear disaster of cataclysmic proportions was about to rain down on us if the nuclear reactors at the Daiichi plant did, as threatened, explode and destroy everything in their wake.

 

I was for fleeing (though what to do about the cat was a huge, boiling point of contention between us that made Duncan refuse to leave and me hysterically exasperated….)

 

We didn’t have to stay. We had friends in England and Australia offering to put us up, even fly us out if we didn’t have the cash immediately to hand, as hordes of foreigners panicked and rushed towards Tokyo Narita airport. There was even a message from the British Embassy saying that there was a charter plane TONIGHT which can get you to Hong Kong, and from there you can ‘get to’ Britain, as though we were part of The Great Escape. All this while the Japanese around us went about their business as usual, stoically (or brainwashed? we didn’t know), and the teachers at my school continued to go to teach. For the first time in my life I really felt totally at a loss.

 

 

************

 

 

 

Apart from my mother’s brilliant handling of the situation, the other thing that truly saved me was Facebook and the support and advice of my friends within and outside of Japan – it really was a lifeline to sanity (and yes, I realize, I realize guiltily, profoundly and completely that what we were going through was NOTHING compared to what the poor people freezing up in the north were going through, those whose families had been washed away, homeless; bereaved, in situations beyond imagining, but this only added to the weird emotional maelstrom. Even though you yourself had thought you were going to die in the earthquake, because it really did feel like the building I was in was about to fall down, as parts of the ceiling started to collapse and I clung to the wall praying that it wouldn’t): despite all of this, you knew that you were so lucky in comparison to all the others who were going through unimaginable sufferering in the affected areas that you felt you couldn’t moan or complain in any way. You had to pretend, almost, that nothing had happened.

 

It was a noble collectivism that the Japanese in the streets around me evinced, and it was profoundly impressive, but at the same time disturbingly coercive, especially to someone as childishly in need of self-expression as myself; I am a person who, if forced to contain strong emotions too long, feel as if I could go mad. And at that time, I really did feel as if that were a distinct possibility.

 

Aside my mother, then, the other thing that saved me was Facebook. Really. There were so many people giving us encouragement and advice, or just allowing us to vent with dark humour if necessary; just the very spontaneity of having that connection to the outside world at your fingertips was an outlet that allowed me to see, feel, process and interact with my friends and family and in the process try to understand what was going on and what we should do next. Flee? Stay? (We went on an eight day ‘adventure’ down south, to Atami, Nagoya and Osaka as a compromise in the end…, and it was only once I got away from the immediate confinement of the house, and the seemingly imminent dangers, that I could finally come to terms with what a dreadful calamity had happened to the country, and all those poor people and families,  and, seeing the first cherry blossom trees of the season, break down properly and grieve for them.)

 

 

 

* * *

 

 

 

With the recent ‘timeline’ function on Facebook it is possible to revisit exactly what you wrote at particular times in the past, rather than those impressions immediately flying off into the ether, never to be retrieved.

 

I have not looked at the conversations from that time until now, but have just scrolled down to the posts from March 2011 and all is raw and vivid. I can feel it all coming back as though it had just happened . There is a lot of humour, but also unkempt, intense feelings…..

 

 

Is it emotionally pornographic of me to want to publish some of that here on The Black Narcissus today? Possibly. But I don’t really care. I find that now I have started writing about this subject I don’t have the desire or ability to stop, particularly considering the date. This time two years ago the country was functioning as normal; the next day it was to be ripped apart and come to a virtual standstill. No trains, electricity, rations in the supermarkets, the dire and very real treat of radioactive poisoning, bodies still buried under mud. It feels right, somehow, to revisit it.

 

 

 

 

 

March 15th: My Facebook status was:

 

 

 

COCKTAIL CHERRIES. Apparently the red food colouring contains large amounts of iodine, something we all need against radiation. This is a product unlikely to be swept from the shelves by the panicked..

 

 

Reading this strikes me as bizarre; I had totally forgotten about it, but I am writing, apparently seriously,  about cocktail cherries, and how we could surreptiously secure ourselves supplies of iodine if it ran out (or if foreigners were somehow excluded from getting them). But we really were deeply worried about radiation, and still are to a large extent. I don’t trust the government and have no idea if the air we are still breathing or the food we are eating is in fact safe.

 

 

 

Another post from March 15th:

 

 

 

In terms of scent, Demeter’s Pina Colada is working for me right now.

 

 

 

Funny how perfume could work its way in there…anything simplistic, charming, stupid, was quite good at this time in the days of the aftermath…banal TV drama box sets, sweet scents, just things to relieve your mind and nerves.

 

 

 

 

 

The same day:

 

The poor people! I am sorry: I have been selfishly cocooning myself in pop irony and all, but I think me and the D are just in deep shock, like most others. It is only starting to dawn on me how much people are suffering around the country. We actually realized it was real only this Sunday morning.

 

 

 

 

 

 

When the earthquake happened, and I was evacuated from the building I was in, I had to walk home, alone, for three and half hours, along the river, just following people as I wasn’t sure what direction we were supposed to be going in. Looking back I think I was in a trance, as I remember stopping to take pictures of plum blossoms and noticing how beautiful the sky looked. And standing next to the railway lines, seeing old ladies being lifted down on emergency ladders from the carriages, but watching from below, these people huge and cinematic, the sun glinting through the pine trees as they walked slowly and warily along the tracks. By the time I got from Fujisawa to Ofuna I saw that there was a blackout there, and that there were no traffic lights; cars making sense of it all but in danger like some 80’s horror movie. I kept walking, and up the hill where I live which is always dark but which was now almost completely pitch black except for some very faint emergency earthquake lighting, and some Japanese voices droning through speakers placed somewhere that intoned advice on what to do next. I still hadn’t heard from Duncan, but for some reason, which I am ashamed to admit now, all I could think about was Hitchcock. I HAD to see The Birds.

 

 

 

 

 

 

My first reaction when it happened was to come home and watch The Birds.

Because I am, how can I put it, cold perhaps? The Birds was so right you can’t imagine. Because when I was walking home, in a daze, everything was extraordinarily beautiful. The light was obscene. And there was a row of cormorants, about twenty, perched weirdly on a telephone line across the river. I was in a strange state. The earthquake was real, but The Birds is so abstract, just fear manifest, that it was perfect.

 

 

* * *

 

 

March 13th:   I had a japanese lesson yesterday in Kamakura. It was like a ghost town. And in a chichi cafe, quite empty aside me and Ms Nagai, I learned all the vocabulary. Radioactivity, leak, and three words for dead body. ‘itai’: corpse (polite nuance);’shitai’:  ‘corpse’: (a bit direct) and ‘shikabane’ (which i already knew): dead body, a bit old, with fishy circumstance.

 

 

 

 

Seriously, we feel a bit seasick. is the ground still moving? this is HIDEOUS

 

 

Can’t sleep. Panicked.

 

 

 

Duncan is so exhausted he is zonked out: I am lying there in a froth and no sweet marjoram is going to change it

 

 

 
Just awoke from a dream in which I was pushing my mother from an earthquaking hotel in Paris.

 

 

 

When it comes to nuclear rain, i could do without the exquisite japanese ambiguity. Fuck! Another aftershock.

 

 

 

….as i write!

 

This country is prone to cover ups and anything to avoid losing face: then the bastards at the helm apologize sometime later at a news conference; a hypocrisy i DESPISE!

 

 

 

…..

 

It’s like my internal calibration system is all wavy; an unpleasant drunkenness.

 

 

 

 

\

 

 

 

D has gone out to scope for supplies (March 14th)

 

We are in bunker mode!

 

 

 

Status: “Earthquake?” “No: two eggs.”

 

 

This is a conversational exchange D and I have just had. Our brains have turned to gelatin.

 

 

 

 

 

March 14th:

 

it’s like living in a Frankie Goes To Hollywood song. My piano teacher just said ‘don’t get wet in the nuclear rain!’

 

 

‘Ok!’ I cheerily replied. ‘I’ll try not to!’

 

March 15th:

 

Dare we emerge?

 

Seriously, my friends: if you have any information regarding radiation and nuclear bullshite, feel exceedingly free to share it with me. Particularly if it is reassuring (you may edit apocalyptic broadcasts accordingly).

 

 

 

 ….and I don’t watch any TV either: just snippets of internet news. Who wants to continually watch death and destruction? Just voyeuristic vultures. I feel for those people so much but feasting my eyes and soul on it for hours and hours at a time seems pointless. Masochistic. 

 

 

 

 

 

 

 

Neil Chapman : Hanging my shirts out in the nuclear air.

 

 

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D:

 

 

bring em in you tit!

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Just opening the window to get some ‘fresh air’ has suddenly taken on                sinister implications. should we be sealing ourselves in a la Sylvia Plath?

 

 

 

 

 

 

 

 

And so it went on and on, trying for a bit of levity, and trying not to let too much of the horrifying information get to me. Having friends to talk things through with ( I haven’t put up much of that here as they might not want it to be made public) but in any case it kept me feeling more balanced.

 

 

There was one post,  though, something I wrote on a day going back to work in Fujisawa, when my senses were simultaneously dead, yet more alive than they have ever been, which captured precisely what I was feeling. I have just found it:

 

 

 

 

 

Neil Chapman:  Plugged In To The Matrix.

 

 

 

Now where shall I begin?

 

 

 

 

          There is no doubt that this has been one of the most surreal and extraordinary weeks of my life, 

           and today I felt myself confounded and actually unable to comprehend the world around me. It is hard to explain, but I have spent the week, as you know, in this melodramatic swirl of hysteria, though I was never as close to ‘breakdown’ as I may have appeared: this is just how I choose to express myself, or rather I don’t ‘choose’ anything: it simply comes out the way it comes out. But there is no doubt that the country is traumatized, and I know I am, mildly. For a few days, though the emotional core was ultimately safe, I did find myself in unfamiliar waters of panic and shutdown (rarely do I go to bed at midday to avoid the world but on this occasion I did), and would spring from relative calm to spiralling anxiety the second I read news reports, or, ill-advisedly, looked at images of the tsunami. Believe me it is much easier to do so when you are out of the country than when it is in the place you live, just further down the coast. The devastation, on loop, just created a maelstrom in the brain you couldn’t wash away; it was buoyant under everything else even when you slept, and then this nuclear reactor thing which, obviously for us personally, it is a literal threat. 

 

 

 

 

 

 

 

 

 

          Or is it?

 

 

 

 

 

 

 

 

 

          And this is where The Matrix comes in. The last two days have seen our parents pleading with us to leave; terrifying reports on TV, and you lovely people sending us advice or more often ordering us to leave. By Wednesday night I was whipped up into a frenzy again and was utterly incapable of even imagining going into work and thus we began the escape plan. I wrote a well-worded, but clearly boilingly concerned, e-mail to my boss saying I couldn’t work today but as you know, just as we were about to join our friends in the above adventure I called my school manager and really, the sound in his voice when I told of my radiation fears really was one of total puzzlement.

 

          What are you talking about?

 

          Everything is fine.

 

          The air is fine.

 

           Everyone is at work, your students are waiting for you, we would really prefer it if you would come in (silent pressure, like a megaphone)…..

 

 

 

 

So I finally leave the sealed up stuff-chamber we have been inhabiting; dark, unsound, all the past week’s mad feelings still floating about uninhibited in the rooms, and I dragged myself out of my clothes: shaved off the beard, and became Mr Chapman again.


 

 

 

 

 

 

 

 

 


Outside was blue; bright, a typical, beautiful cold Japanese spring day.

           I boarded the bus, and caught the train to Fujisawa. Nowhere was anyone wearing masks, except for the usual ones for hay fever. And yes, the lights were dimmed in the stations and vending machines, and yes, people were collecting for charity, but otherwise, everything was utterly normal. Gleaming, happy reality, not an iota of the armaggedon panic of the computer and the pleas and the oodles of milliverts about to subvert our biochemistry and turn us instantly cancerous.

 

 

 

 

And i stood there, with my coffee in hand, and actually had the sensation of not being able to mentally compute the astronomical difference between my life on here with you, and all the internet reports, and all the foreigners fleeing the country in charter flights, and my dad writing DISASTER in my in-box, and the swirls of atomic clouds and dust in my mind, and the absolute NORMALCY of what I was perceiving before my very eyes.

 

          And I experienced some form of split down the middle of my consciousness as if indeed, this were The Matrix that those in the world, the real world, the dark world, were plugged into.

 

          Happy, bright, everyday boring life. not even a JOT of darkness in the air. (March 19th)

 

 

 

 

 

 

          But it is not that simple.

 

 

 

          What I have realized is that possibly neither of these worlds is correct. Most of you on here are seeing this hypohysteria news reports which play the greatest hits of horror over, and over, again. And I don’t doubt they are true for a minute, when hordes are streaming out of the country and losing the Japanese respect (if they had any to begin with.  

 

 

 

 

But you step into work, and it’s all subverted.

 

 

 

 

          There is nothing to worry about.

 

 

 

 

           All the foreigners leaving are being panicked by leftist anti-propaganda: the dangers are no way near as acute as being reported:

         the US navy is reporting nuclear particles out of spite…..

 

 

 

 


I have never, ever, in my life, felt so incapacitated in my ability to distinguish fact from fiction and reality from irreality, hyperbole; information from misinformation;  and just stood back from my own perceptions and watched them all, fascinated.  

 

 

 

I LITERALLY DO NOT KNOW WHAT IS REAL OR UNREAL YET KNOW I AM ABSOLUTELY SANE. THE MEDIA CONTROLS US: WE KNOW EVERYTHING: WE KNOW NOTHING.

 

 

 

 

          …….two absolute, sharply cut realities: a collage of panic and drummed up horror, vs sublimated trauma and a fierce, fierce desire to get back to that shiny surface where Japan thrives best. I am defeated.  

 

 

 


 But I did my lessons, and enjoyed them. And managed, a little, to salvage the Vivian Leigh I have descended into this week. Got back a bit of respect, just about, as if I represent the foreigner in capital letters.

 

 

          And then walked home up the hill, convinced I could smell it in the dark, and something metallic, and something like a sunburnt feeling on my cheeks; but then I am a hypochondriac neurotic so discount what i have just written: (don’t)  

 

 

 

Anyway: we head south, the D and I, tomorrow; hopefully it will be fun but everything feels different once you get out of the glare of the shop windows and the urban sun: there is a watery, pale vulnerability in the air: we are shellshocked.

 

 


…………

 

 

 

 

 

 

 

 

It really was a time when I felt that there was no link between the Japanese and The Foreigner. Never have I felt more estranged:

 

 

 

 

 

 

 

          The Japanese create a force field around themselves; unite their egos, or dissolve them at will: it is something we in the west simply cannot do. They can make an atmosphere so powerful that everything wilts in its path. Seriously. It is both highly admirable and somewhat terrifying to me, so obviously self-centered and egocentric. I do not WANT to disappear. They can.  

 

 

 

 

          What I don’t understand is how much of today was forced. I can’t quite get to the bottom of that: is it sheer willpower forcing normality to the surface?

 

 

           …I was talking to my friend Setsuko on my cellphone earlier, trying to get a grasp on what i was experiencing, and, I quote: “….we also pay little attention to something intangible, such as radiation.

 

 

 

          If you don’t see it, it doesn’t exist…”


 

 

I am not sure if this is interesting for anyone out there reading this, if it all just seems far too self-indulgent, but I think the above illustrates quite well the extreme confusion that being a foreigner in Japan after such a terrible disaster entailed.

 

 

It took a long time to recover (again, I realize, of course, that relatively speaking I suffered nothing and have nothing, absolutely nothing to complain about). Yet I felt terrible, so deeply unsettled.

 

 

 

April 6th:

 

Even today I could have sworn there was an aftershock as I sat outside in the sun. And then maybe again this evening….just a weird feeling that you never know is real or not. The ground has not felt the same since…all those idioms…..’he is very grounded’…’she has her feet on the ground’…. have suddenly stopped making sense.

 

And I know that it was nothing compared to up north but the shock of that quake at the gym brought tears to my eyes and left me very shaken (like everyone else: people were screaming in other rooms as I clung to the walls…). and then no phones working…and the immediate huge aftershock…and then that walk home…tomorrow I go back to work: maybe that is a good thing.

 

 

Just seeing footage of the tsunamis, the little I did see, left me with nightmares for the last few weeks, as well as endless ones about radiation and losing Duncan. I cannot begin to imagine the psychological damage of those actually devastated by those waves…God.

 

 

 

 

 

 

 

April 15th: What it feels like tonight: five minutes off a rollercoaster, still unsteady on your feet; rolling, rolling rolling, nice and slow: lurching. Like a huge hull of a ship in the moonlight. You are in your cabin and it is CREAKING. These floorboards are creaking. And it might just be the wind but you know it isn’t.

 

 

:somehow not an earth’quake’ but a gargantuan rock-a-bye-baby;cradling us all: malignly imperceptible, almost: but vast and uncontrollable.

 

And disconcerting in the strange depths of your being you never knew existed; that you had this barometer connected to the ground and what lies beneath it; that you resonate together..

 

 

 

*  * *

 

 

 

I am sitting here, looking at keys dangling and wondering if they ARE moving. Seriously: there is a beast beneath! Growling very subtly.

 

And i am starting to not be able to entirely see or walk straight but am now seeing a profound beauty in it.

 

 

 

The fucker is taunting us.

 

 

Now it seems to have stopped. But it has got to the point where I just think. Yes. I am mad. It is that. And I was in the other house for about fifteen minutes, and it was honestly like being in some haunted ballroom of an abandoned, huge, cruise ship. And it is interesting: perhaps if you ARE mad; do you just go with the, er, flow? But still hugely gratifying to come in and find duncan in bed, saying, yes yes it has been rocking for about half an hour now: I can feel it.

 

 

 

 

 

…..

 

There are pink earthquake clouds in the sky tonight. don’t be surprised if something happens tomorrow. This isn’t me: it is several women friends who always comment on these particular, perpendicular lantern-shaped clouds that often appear the night before.

 

 

At this point i am not even complaining: merely observing. Because it is so odd, and so monumental, to have the earth no longer solid, for so many days consecutively. With the imaginary quakes to fill in for the time when the earth itself is not rocking.
       April 16, 2011, at 1.55am.

 

A constant, neverending circle.

 

 

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March 10th, 2013 :

 

 

 

Tomorrow is the second anniversary of all this. Reconstruction is taking place, although not as much has been done for the people from the affected areas as should have been; charity and volunteer work still continues, as do the aftershocks and tremors, which we were told would continue for years.

 

 

 

In fact (and now I am finally coming to the story suggested by the title of this post), the other night there was a minor earthquake in the middle of the night and the first thing I did was to leap up and hold onto the perfume cabinet. Not because I am so shallow that I think that my perfume collection is the most important thing in the world – much as I love it, I do realize that it is merely a collection of delicious, ephemeral pleasures and memories – but the old, wooden Japanese antique cabinets they are housed in, I realize, could in fact quite easily crash down and kill us in the night. We foolishly sleep on futons directly beneath them.

 

 

 

It had been on mind anyway, that we might need to move these vertical treasure chests, but there was a news programme on the radio yesterday as well which was warning about the dangers of having heavy furniture in your bedroom, especially when it is not properly secured to a wall…    It has struck me that this huge thing, which I love, and which suits the tatami style room perfectly, could literally be lethal.

 

 

The threat of another major earthquake never goes away. But the least we can do is to avoid being crushed full of a huge, grande armoire of Guerlain, Balenciaga, Dior….

 

 

 

 

The irony of it; a perfume lover being killed in the night by the thing he loves most……

 

 

 

 

 

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Filed under Catastrophe, Japan

ANGELS AND INSECTS: LA CHASSE AUX PAPILLONS by L’ARTISAN PARFUMEUR (1999)

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This uplifting, flowery delight by L’Artisan Parfumeur was recently being pushed by Yokohama Barney’s New York as a wedding scent: the window dressings, fancy as ever all swirling linden petals; pink blooms, tuberose princesses; and lepidoptera brides. I don’t know if it is especially nuptial – though that idea certainly does make sense, for the butterflies, fluttering in your stomach – but I do know that La Chasse Aux Papillons is lovely;  heady, joyous, light-winged and summery.

 

A whirl of leaves as you rush gaily past shrubs; a dizzying flourish of petals : tuberose, linden, orange blossom – the linden blossom crucial here, steering the perfume in a different direction from the majority of feverish hot house flowers and giving the perfume a slightly cooler, more mysterious edge, the whole an exuberant delight that I really like and have on occasion even considered buying – but for some, all the giddying, whirling about with the butterfly nets may leave you dizzy, s ick……..

 

 

A fragrance, then for the extovert I would say; for someone not afraid of display his or her colours, of reeling in admirers.

 

 

 

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8 Comments

Filed under Flowers, Linden, Tuberose

Wishing for a gadget

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A Japanese company, Chaku, recently created an application that, apparently, can send smells through your mobile phone.

If it really works, how I would love to send to you, through cyberspace, the stunning, head-turning perfume of these jinchoge-no-hana, or Daphne flowers, that the neighbour across the street cut from her tree and brought over the other night. They are filling up this kitchen corner with a spritely, sweet and vernal scent of sharp roses and sherbet lemons I find exhilarating.

4 Comments

Filed under Bric-a-brac, Daphne, Flowers

THE SPRING FLOWERS THAT ENDURE : : : : : : : : Nymphea by Il Profumo;, Flower by Kenzo ::J’Adore by Dior; Floret by Antonia’s Flowers; ;Romance by Ralph Lauren; Pleasures by Estee Lauder; , Bouquet De La Reine by Floris

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Should a woman want to smell like a ‘idealised’ flower…………..?

 

 

 

 

 

The choice is yours.

 

 

 

 

 

 

NYMPHEA / IL PROFUMO (2004)

 

 

I am not sure how such a heavenly creature actually works on a real life girl, but this dreamy, artful, fresh-green bouquet (bamboo, fig, white waterlily, lotus flowers, water jasmine, and white rose) is, in my view, almost heartbreakingly lovely.

 

Il Profumo describes it as having a ‘lacustrine tranquillity’, and it does have such a calming, transparent, lake-like, lily-pad beauty that I am completely compelled to agree.

 

 

 

 

ANTONIA’S FLOWERS/ ANTONIA’S FLOWERS (1985)

 

 

Antonia was a florist in The Hamptons, and knowing her flowers, and adoring freesias, and being dissatisfied with the floral scents available on the market, she set out to create her own bouquet. In the process, she produced three American classics: Antonia’s Flowers, Floret, and Tiempe Passate, all of which have apparently been among the best selling fragrances for decades now since their launches at Bergdorf’s and Barney’s New York.

 

Despite my own personal love of the more fleurs à la Parisienne, there is no reason why the classic French model (flowers, woods, musks and animalics) should  predominate in a person’s floral wardrobe in the modern world; not everyone wants that suggestive, ‘come-thither’ quality in a perfume – sometimes (myself included) you actually just want a scent that goes on fresh and clean and stays that way. And what distinguishes the Antonia’s Flowers perfumes from the mass-market chemical-sheen ‘flowers’ like Romance and Happy is a natural, well crafted, ‘made-with-love’ quality that, in the case of this, her eponymous fragrance, shines all the way through the brilliant fusion of light-shimmering, china-dry rosewood and the crisp, springtime flowers (mainly freesia, magnolia and lily).

 

Antonia’s Flowers s a highly unusual fragrance – the intense but beautifully natural bois-de-rose note is too much for some – but one I rather do enjoy personally and one I would recommend to anybody who loves flowers and just flowers.

 

 

FLORET/ ANTONIA’S FLOWERS (1995)

Or, alternately, you could try Floret: a very tightly controlled, crystal-clear, sweet-pea floral, with  rose, tuberose and marigold, and a delicious, and transparent, apricot top note. Pure, feminine, for me, this is springtime in a bottle: the olfactory equivalent of pressed, clean clothes in an open airy room.

 

 

 

 

FLOWER BY KENZO/ KENZO (2000)

 

 

‘A flower with no fragrance.’

 

 

 

Kenzo, who I have always liked (for their Kenzo Homme, L’Eléphant, Le Tigre, Summer, Kashâya and their sensuous, eponymous original scent) suddenly became a major contender in the perfume world when, eighteen years ago, in a marketing act of brilliance, they released a rather stunningly designed bottle, which appeared to contain unfurling poppies at various stages of growth, and cleverly filled airports and department stores with them. The effect was startling, the concept (‘creating the scent of the poppy’) an instant hit with consumers……….and thus cities were suddenly filled with the immediately familiar scent of young office girls going to work in Flower.

 

Flower is an undeniably  ‘pleasant’ scent, like anything made my Kenzo ; airy and green, with soothing, gentle notes of Bulgarian rose, hawthorn, cassie and parma violets over a sheer, powdery almond base: gentle, carefree, light, and safe – like running through a neighbouring field in freshly tumble-dried, clean smelling clothes.

 

Which is another way of saying that it is fragrant, and nice, but rather dull. I quite like it, but don’t get my friend Helen started on how much, and why, she despises this to the deep extent that she does.

 

 

 

 

J’ADORE/ CHRISTIAN DIOR (1999)

 

Knowing what the women wanted – something fresh, light, sophisticated but somehow ‘vulnerable’ – Calice Becker, one of the world’s undisputed masters of florals, created a scent for Dior in 1999 that  went down a storm – J’Adore is now one of the world’s best selling scents. Despite the usual fresh floral metallica, this perfume does have that ‘classic’ stamp on it; the greenness of the fresh ivy top notes; the gleaming flowers (orchids, champaca, white roses, violets – apparently it was designed as an ‘emotional floral’); the fruitiness (Damascus plum and blackberry musk), the gentle, skin-tone, base notes. This scent is ‘pure woman’, and something you ‘can’t go wrong with’. For evenings out. For romantic dinners. For engagement parties and anniversaries: the magazine adverts featuring Charlize Theron saying it all – in gold; glamorous, pretty, charming and ‘dazzling’.

 

 

Despite my objective appreciation of its charms, however, I myself don’t  like J’Adore at all (in fact I detest it): as the murdered woman in Goldfinger was to find, all that gold can be suffocating.  The perfection; the flawlessness, is all too much for me I’m afraid, and it catches in my throat; hysterical – a sharp, processed, oesophagus-gilding lacquer.

 

 

 

ROMANCE/ RALPH LAUREN (1998)

 

The same with Romance, so shrill and sharp it hurts me. True-blue thoroughbred, how could that patrician of all patricians, Ralph Lauren, go wrong with an advertising campaign that played up to every Tiffany-dreaming, happy-ending, Caucasian fantasy? And the smell! So clear, so sheer, so ‘romantically’ floral and clean: so ‘right-for-every-occasion’.

 

IT was Inevitable then, that Romance should have been the great commercial hit that it was. So shrill; synthetic; conservative but probably just the right perfume if what you are looking for is a clear, mindless,  inoffensive, and utterly indistinct scent for that wedding reception, PTA meeting, or baby shower.

 

 

 

 

 

PLEASURES/ ESTEE LAUDER (1995)

 

 

Pleasures was, I think, aimed at the same target audience as Romance; thirty-something mothers of a stable income and societal position who shun any hint of prurience (or even any acknowledgement they have a body) in their scent  – because what would the other mothers think?!?. ….For the successful original advertising campaign, that foxy British minx of the upper-middle classes, Liz Hurley, donned a lilac cashmere sweater, and, airbrushedly, tumbled about with a Lenor-washed puppy in a field, a thousand million miles from the cleavage Versace It-dress that made her famous. The message was clear: like Romance, this woman was a Good Girl, and her family values were most definitely Virginally Intact.

 

The difference between Romance and Pleasures, for me though, personally,  is that Pleasures has character, and lots of it – only characterful creations are this recognizable. So powerfully, translucently floral it hurts, this complex bouquet of rain-drenched flowers (lily, lilac,  violet leaves, peonies, baie-rose…) can be hypnotically feminine, mysterious even, on the right person if used in small doses (I have known women who have smelled quite gorgeous in it) but, ultimately, it is still so resolutely ‘pure’, so WASP, I have to say that in some ways it rather scares me. For green freshness, I definitely preferred the more self-possessed, bitchy, and heel-clicking Gucci Envy.

 

 

 

 

BOUQUET DE LA REINE / FLORIS (2002)

 

 

Middle England: a secret, illicit tryst between two married people, in love,  speaking in quiet voices under their drinks in the town’s only hotel bar.

 

He, is wearing Eucris (Geo F Trumper): she is wearing Bouquet De La Reine: a pretty, insistent bouquet, green and fresh (bergamot, blackcurrant buds, violet leaf,  rose, ylang and jasmine) that is respectable, pliant, and womanly.

 

He leans in closer, she coyly clasps his hands, and, furtively watching and smelling from a distance, we don’t doubt for a moment the passion that will later probably ensue….

 

 

 

 

 

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Here comes the sun, little darlin….. SOLEIL LIQUIDE by MEMOIRE LIQUIDE (2009)

Today was the first day of proper, unbridled sunshine we have had this year : blue skies, cold breeze, but in the sunshine directly it was hot enough to not need a jacket; proper soul-warming sun up to the the mid-sixties, the kind of day in London where people strip off their shirts in the parks and soak up some rays on the grass with beers and the first picnics, as multilayered foreign tourists from much hotter countries look bemusedly on, and we pretend to ourselves that this is going to be what the weather will be like for the foreseeable future.

A day, then, for mood-enhancing, summery scents (even though it is only the beginning of March and I am totally jumping the gun…) I have been lucky, though, to receive a lot of perfume samples in the post in recent weeks, and livened by the light, and having just finished my post on piquant greens from this morning, I felt like trying something new and refreshing.

Scrabbling through the vials (all over the house, anywhere, everywhere, total lack of organization I am afraid) I came across one that had ‘Soleil Liquide’ written on it (no name of the perfume house on the vial, inviting me in, cryptically, as a ‘drink me’ bottle might do Alice) as I was ironing my shirt,  with my coffee; music on; the window wide open and the sounds of my  neighbourhood flooding in; my cat, Mori, fighting with the ginger tom across the street (there is some territorial battle going on);  kids on their way to school, birds beginning to ‘twitter’ (I have had the windows shut for so long!)…a quick sniff before applying: ah yes, that will do, one of those nice, unthreatening,  contemporary florals I like in measured doses;  those jasmines and tuberoses like  Beyond Love, Marc Jacobs,  and the new Oscar De La Renta Mi Corazon; sheer, but not too sheer; fresh, clear, but with enough exotic suggestion for me to acquiesce (just on one wrist and one cuff, my guilty, bucking-the-rules pleasure for school, as ‘gender-bending’, nectarous, fleurs emanate from my tutorious person….)

In any case, Liquide Soleil has been my school scent of the day, and I have to say that have enjoyed it. A modern, citrus white floral that is easy on the nose and spirits for its cheering, American summer goodness,  its barely  whispered memories of France (Tendre Poison, even the eighties incarnation of Vent Vert, or am I just imagining it?), its simple, immediate, pamplemousse-gorged uplift.

Neroli, tangerine and lightly candied grapefruit; a pleasingly blended triumvirate of yellows that coalesces very nicely together over the standard, familiarized accords of subtle sandalwood and white musks, yet mixed together knowingly and judiciously to cleverly bring the ‘liquid sunshine’ to the whole.  Conventional if you really have to nit-pick, but something that really does to me smell good, and those were today’s quite simple criteria. Make me smell nice. Make me smell clean and laundered but also nice; handsome; comely.

You may have smelled this type of fragrance many times before, these citrus-boosted nerolis like Fleurs D’Oranger and Cologne Grand Neroli that abound quite frequently in the perfume world;  but a perfectly blended, dependable bottle of summertime happiness is nothing to be sniffed at ( I find most perfumes these days go wrong at some point: there is always some vile woody addition that ruins it; some sweet, banal chemical that turns me off, but I didn’t really get any of that with Liquide Soleil, apart, perhaps, from a sense that by the end of the day, when the sun had actually gone, it was slightly beginning to outstay its welcome (probably because it was clinging, still zinging with orangey, persistent neroli to my chalk-flecked shirt…)

No. The carefree, citrus florality of this perfume is really  appealing, and it is something I would happily wear quite regularly, particularly on warm sunny days like today. If it is nice tomorrow as well, I think it might be getting another outing…

 

 

 

 

 

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Today, 5.36 pm, Hiratsuka station, as I made my way to my evening classes…….

 

 

 

 

 

 

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Mon serpent, mon cygne…………… D’HUMEUR JALOUSE by L’ARTISAN PARFUMEUR (1994) + L’OMBRE DANS L’EAU by DIPTYQUE (1983) + EAU DE CAMPAGNE by SISLEY (1974)

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I find myself in a green temperament;  aggressive almost, for fresh, sharp, verdant scents that match the shooting growth and push away the winter, the comforting sloth of my recent smothering orientals and let me feel like a snake shedding its skin.

 

And D’Humeur Jalouse is the snake: possibly the greenest scent ever made (please tell me if you know of one that is greener);:  almost painfully so at first – a serpent in the grass, the eyes of jealousy; spiked, strident tones of malicious stinging nettles and grasses, softened, only barely, with a sinuous touch of barely detectable almond milk to temper a rather curious,  olfactory sketch that is bitter, unusual, and solitary: green to the point of catharsis.

 

 

 

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A movement from the river bank under the shades of weeping willows- a swan glides slowly by…..

 

Evoking a green riverside garden, the shadows of plants rippling the waters, L’Ombre Dans L’Eau (Diptyque’s most iconic perfume?) is at first intensely green  – a sharp, rush of galbanum resins entwined quite cleverly with the lush, tanging tartness of blackcurrant leaves, but from this compacted flourish there then emerges, unhurriedly, the quiet, more melancholic dignity of the Bulgarian rose: calm, romantic, yet austere,  rather supercilious and snobbish even, and thus, the main theme of L’Ombre Dans L’Eau (‘the shadow in the water’) is set.

 

As light fades, and the murmurs of evening approach, a soft base note of pot pourri-like rose, with the slightest hint of something like peachstone, finishes off a singular, enduring composition that breathes an air of familiar timelessness.

 

 

 

Eau De Campagne

 

 

The perfect green?

 

 

This classic scent from 1974 is the summer; the exhilaration of meadows; of stalks crushed underfoot, swords of sunlight infiltrating blades of grass.

 

 

Chlorophyll at dusk; ladybirds….

 

 

 

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Filed under Basil, Blackcurrant leaf, Green, Perfume Reviews, Stinging Nettles, Tomato Leaf

The plum blossoms of Kamakura

 

 

 

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Winter finally seems to be ebbing to a close – thank god – the internet is working again here (hurray!) and the plum and peach blossoms are coming out in Kamakura. The air is filled with the flowers’ rich, fruity scent, the skies are balmier, though as you can see in these pictures, there is a still the threat of cold, of grey skies and even icier weather to come. As Prince once said, sometimes it snows in April.

 

 

 

 

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